Little Red Rooster Records

       
Hello and welcome,
Site updated April 6, 2010

Thanks for visiting my site as I introduce myself.  My name is Gene Thorpe and this particular site is all about my musical growth. I am excited to announce my affiliation with Little Red Rooster Records because it allows me to get my music out to you. I started playing in bands and writing songs in the early 60’s and have been at it ever since. This project is like a musical workshop in the regard that when I record the songs I arrange and play all of the instruments. This exercise forces me to rehearse on each instrument to a point that I become familiar with and refine each part of the music resulting in constant improvement. In addition there will be a podcast regarding each song as to why and how it was written or chosen to be recorded and presented to you the listener and end user.  As a new tune is released by Little Red Rooster Records it will be sent to our listening members for review and comment. We believe this process will help the music evolve and make the members of the mailing list become active participants in the process. What makes this project different is that each song is continuously evolving as I work on them on an ongoing basis. The Little Red Rooster Records recording studio is a Pro Tools based set up. Therefore it is easy to make changes to the songs as your feedback is used to make them even better.

 

              Denver Blues    Secrets     Oh Yeah    Loves Creatition   Are Just some of the tunes that are coming.   

 

Every music production starts with an idea, whether it is an original idea that leads to a lyric or melody and winds up as a finished song, or in many cases you just might have an affinity for a particular artist or song that you might want to lend your creative efforts to. Whatever the case you get art, what has always been interesting to me as an artist is what goes on behind the scenes making the finished product. Starting with the room or studio, the mikes, the instruments and most of all the process the artist goes through to wind up with the finished work.   

 

I was always interested in the Piano when as a pre-schooler I used to bang out music anytime I could get near a piano.
 
I believe whenever you get a musical idea you will grow it differently and more thoroughly by playing it on different instruments. I also believe that by being a vocalist and learning to play multiple instruments you get a better understanding of how the musical parts fit together.

 

In my case I started out professionally as a drummer and was drawn to playing live music at a very young age. Soon I started singing and writing. In 1964 saw a live Bob Dylan Concert. That got me interested in basic chords and I became the singer for a group called the Persuaders and played at the 1965 State Fair in Sacramento. When the band broke up I started playing the guitar on a Gretsch Corvette


and joined a young band called the Concern with Gareth Powell and Verlin Thom. Soon after, I joined the
Yukon Daily with David Williamson, Ron McElroy and a very young Rick Taylor. That band morphed into Pann. Next came A Band Called Movie where I played bass for a little over a year. I then Joined Simultaneous Avalanche with Warren Jay, Dickie Pomain, Val Francisco and Collin Hobbs, and went on the road for just under seven years, fronting the band and playing guitar. After coming off the road in 1976 I started a new band called Powerglide which went on till 1986 when I formed The
Gene Thorpe Band which morphed in to The Fabulous DeVille’s, which I still play in to this day.

 

In the 60’s when I first ventured in to the recording studios we were using 2 track Ampex tape machines then 3 track, 4 track, and finely 8 track recorders, and the cost of using these studios were $25.00 to 75.00 per hour which was a lot of money then.

 

In today’s world anyone can buy a used pro tools Digi 001 set up for about $150.00 and be recording in a couple of hours on an average computer. This changes everything. I rarely ever even rehearse a song without recording it as I go. My method is to determine my basic arrangement and play it to a click track in pro tools. I have noticed that depending on the song it may sound better on guitar or keyboards depending on the feel. Sometimes I try both and choose the best feel as my basis to build the song from. I have found that over the years this works best for me and allows me to evolve as a musician.

 

With the evolution of independent music distributors like CD Baby there is now a huge opportunity for an artist to refine test your music in the open market. I addition there are many podcasts & resources on the net to educate and inform musicians in the areas of recording, writing, arraigning and selling their music. The Face book fan page is a wonderful way to connect with friends and acquaintances and share your endeavors with them. Not only that but you can meet new people and bring them to your site and expose them to your music. Essentially this is the whole enchilada: Learn, create and expose, get feedback, improve and refine. This is the purpose of my site.

 

I feel the greatest gift you can give an artist is feedback. In other words most players and singers practice their craft and the only feedback they get is applause or return gigs. Don’t think this is not appreciated because it is!

 

However, if we as artists can receive constructive criticism or encouragement we can then alter our course toward greater success as musicians. Each time a new song is introduced to the site an e mail notification will go out to all of the members complete with a short survey. The survey if returned will give important information to the artist allowing him to understand what does and doesn’t work. You as listeners are the sounding board allowing the performer a chance to refine the music before a final release to the market place (CD Baby, Etc). So thanks in advance for being a part of this process.

Hello, my name is Gene Thorpe. I sing and play Guitar and Keyboards among other instruments.















I was born in New York City and began my trail toward the music profession as soon as I was old enough to get up to the piano. While this was happening my environment was Brooklyn New York. Even then it had it’s own rhythm. Cars, Trucks and all the sounds of the city. We lived on Stillwell Avenue near Coney Island. My family made Kewpee Dolls the Carney's gave out as prizes to the carnival customers. Many weekends were spent in the exciting world of the carnival.

As early as I can remember I loved to sit at the piano, some of my first possessions were a Xylophone and a record player. My family always had a wire or tape recorder around.


In 1953 my family moved to Stockton California. My grandfather , Gene Greene had gotten a job as the manager of a West Coast Tractor Company called Harris Manufacturing. He was a very dynamic and interesting guy and I miss him a lot.



We had a family friend who had his own country music TV show his professional name was Singing Cherokee, I spent a lot of time watching his band as they played live in the area. They played a lot of Hank Williams, Web Pierce and Ernest Tub.


In the mid `50's, to early 60’s my family was in the service station business and while working at the station I would observe the older teenagers, the cars, the dances and the clothes, it was a blast. Working with the public in those days was a great experience and I learned a great deal about music, style and people.


I remember when my family stopped at the Nut Tree Restaurant and gift shop in Vacaville. It was around 1957. At that gift shop I got my first Honner Harmonica. It was freedom you could do music as you moved about. I spent many hours and late nights playing the harmonica. Later the guitar and drums were added to my list of instruments as I spent much of my time listening and enjoying the old time Rock & Roll and country music that radio brought to us in those early years of pop music. Roy Orbison, Bill Haley and the Comets and the young Elvis Presley were the kings of the airwaves.


When I saw my first live Rock-N-Roll band live, that was all it took to hook me on music as a full time passion. I knew that would be my life. Something about how the electric guitars, and the drums sound live in the open night air, just swept me away.

Around 1960 I met a felow who worked as a piano salesman named Carl Corben. He was a great guy that played music and taught me the basics of being an entertainer.

Shortly afer being mentored by Carl  I met some fellows that shared my love of music. We hung out and started jamming around the neighborhood and it didn't take long before I was playing with a good many other guys and attending the many  jam sessions around the area. Most of my gigs were out of the Sacramento area because the musicians that I played with lived out of town. I wanted to sing without playing the drums (I started as a drummer) and to play locally.


We soon of organized our own group, "The Persuaders", we played in the 1965 California State Fair Battle of the bands. From there we went on to play many parties and dances. We picked tomatoes as a band and bought guitars, amps and a Army Surplus P A System. A lot of work and a lot of fun. The Persuaders dissolved in 1966.

This was the beginning of my serious guitar playing because I knew if I could play all of my songs on the guitar and sing them I wouldn't have to have a larger band to get a full sound.




Then came the band Yellow Submarine, This group was a trio that featured Frank Sorci on keyboards. I still love to play with Frankie. Frankie and I would love to hear from our drummer at the time. Bill, are you out there somewhere?

Then came a band called The Concern, This group featured Gary Powell, Verlen Thom and Laura Flowers. We had a lot of fun in that band. Gary really inspired me with his great playing and singing.

I started working at the Vox Room Guitar Center and I joined a young band called "The Yukon Daily" and we rehearsed like machines. Night after night, song after song. We were steeped in the blues and early rock styles. I can still play a whole night on the songs I learned from that peroid of my life. Those were great times, and we were just paying our dues. Music was the core of our lives.  The band was Dave Williamson, Lead Guitar, Ron McElroy, Bass, Ron Cook, Later Rick Taylor, Drums, and myself, Guitar & Vocals.

There were these guys who went to Sac State that put on music shows. Rick Schultze and George Gosling. Now these guys really had rock and roll in their harts. We all became great friends. These guys had a great light show and were called Simultaineous Avalanche. They began using The Yukon Daily as an opening band at the many concerts they put on, and for the next few years it was a wild time.                                                  

Later came a short lived band named Pann and lots and many more hours of jam sessions, recording and wood-shedding.



Pann broke up then there was a band called Movie which
In 1971, while still working at Dick Rossi’s Vox Room Guitar Center, in Sacramento, 



                                       

Went on the road spent a summer season in the Tahoe & Nevada area got all it's equiptment stolen, got high speed wobble and broke up. Some of the members and management went on and put together the band, "Simultaneous Avalanche". This group decided to see the world. During those years we toured twenty nine states including, Alaska, Hawaii and Canada. We had a straight-ahead rock, blues and pop style
.

       


"Avalanche" came off the road in 1976, 1 came back to Sacramento and returned to the music store. I also found a job with the Sacramento Valley Entertainment Guide and Directory, but my musical career and the band were always my first priority. When the magazine started my monthly column we were covering only 20 clubs and later we built 'it up to coverage of over 100 clubs and events each month.

In 1980 the music scene was quickly changing in Sacramento. I left the Vox Room to start a new talent agency called "GTA". The headquarters for the talent agency was Skip's Music, one of the largest and more progressive music stores in the United States.

    


1981 was a busy year, I started the band "Powerglide" and that year we won the Shire Road Battle of the Bands. We went on to play many of the top Northern California nightclubs, and also became on of the more popular corporate (one niter) bands on the Sacramento music scene.

     


1984 Was the year I got into the real estate business. I did this to regroup and it was my intention to back away from the music business. That didn't happen because the fellow I sold my talent agency to, (Stephen Grace), kept right on booking me with a group of great guys, Scott Davis, Loren Hass, Glade Rassmussen and Brian Clark. What a line up. We still called it Powerglide and it was a lot of fun.




I also met a fellow Realtor (who loved music) that year named Ron Barringer and that was a good meeting.



1985 Coldwell Banker Real Estate in Roseville

1987 Project Manager for Rancho Ganadaro (Later to become Lincoln Crossing)

1989 Terrico Development Jan Warshuis Development  madness.

1990 Lincoln Area Chamber of Commerce President.

1991 Gulf War starts Real Estate goes in the dumper Band starts playing a lot.

1995 Start playing Gold Country and Placer fairs

2000 Played New Years at Del Paso Country Club

2001 Met and started playing with Vel Selven

2003 Drew Sallee

2004 Ernie Apodaca

2006 Brian Earl Warrensford, Richard Dart, Jeff Jambor added to the DeVille's

2008

2010 Jim Gallegos, Clark Calvert, Skip Craun, Ernie Apodaca & I.

 

 
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